Rather uncomfortably bundling together a First and a Fifth Doctor story together in a collection known as “Earth Story”, the thematic link with the latest Doctor Who release is, well, that they’re both set on Earth. Simple, really.
Combining one story not known for its popularity in Doctor Who fandom – the overt humour in William Hartnell’s The Gunfighters often branding it unwatchable – with another praised for its ability to condense a complex tale into just two episodes in the shape of Peter Davison’s The Awakening, the set makes for an odd combination.
In The Gunfighters, the Tardis brings her crew to the famed town of Tombstone when the Doctor finds himself suffering from toothache. Deciding that America in the 1880s is the best place for medical attention, the Timelord seeks out Doc Holliday (Anthony Jacobs), a man who is currently somewhat at odds with the Clanton brothers, leading to much confusion regarding the Doctor’s identity and a gunfight that really isn’t OK.
In The Awakening, modern day (1984) England is the location for some village war games, recreations of a Civil War battle. As the Tardis materialises, it becomes clear that an alien war machine known as The Malus has started to meddle with the timelines, merging the 1980s with the 1640s and leaving the Doctor, Tegan (Janet Fielding) and Turlough (Mark Strickson) to try to put things right.
With its dodgy American accents and a script which attempts to play too much for laughs, The Gunfighters isn’t an easy watch. The overuse of the Ballad of the Last Chance Saloon, a not-so-witty little ditty sung at various points of the four episodes is wearisome to say the least, while the change in character of the Doctor, Steven (Peter Purves) and Dodo (Jackie Lane) to facilitate them misunderstanding the gravity of their predicament is insulting to the audience.
Taken as a piece of throwaway 1960s TV this is just about passable, with Hartnell on good form and the set design and direction impressive, but as a piece of drama it’s pretty average.
Eric Pringle’s The Awakening is a much better example of Who at its best, the series regulars supported by a high quality guest cast, including ex-Liver Bird, Polly James, and ex-Stig of the Dump, Keith Jayne. Both actors are believable and level out some of the more outrageous performances.
With yet another member of Tegan’s family making an appearance and no sign of the padding which inevitably creeps into multiple part adventures, The Awakening is a lean slice of 80s Who which more than makes up for any weakness evident in The Gunfighters.
With the Doctor Who range’s commentary moderator of choice, Toby Hadoke, in charge of proceedings for both stories, things go smoothly as cast and crew come together to recall their time on the series.
Peter Purves continues his love-in with Who alongside actors David Graham, Shane Rimmer and Richard Beale plus production assistant Tristan DeVere on The Gunfighters, while director Michale Owen Morris and script editor Eric Saward are the slimmed down pairing for The Awakening.
Both tracks are entertaining and informative throughout, an honesty about mistakes made and an admiration for what was managed all those years ago evident from all participants.
The standout documentary in the set is The End of the Line, a frank look at the production of the programme’s third year. Contributions from those who were there are backed up by excerpts from memos and letters written at the time, while today’s fans also help put past events into some context.
It’s an impressive production which, like all the best documentaries, deserves a wider audience than just Doctor Who fans, and one can only hope that at some point in the future 2entertain consider releasing a documentary-only set charting the Classic era’s development.
One of the odder additions to The Gunfighter’s set is the latest installment of Tomorrow’s Times, which sees a badly miscast Mary Tamm looking at how the series was covered in the press in the 1960s. Tamm’s reaction to one piece of Dalek news is quite the strangest thing you’ll see on a Who DVD this, or any other, year.
The Awakening benefits from a return visit to the fictional village of Little Hodcombe by the cast and crew, with contributions from local residents, and it’s a charming insight into the story’s production and legacy. Elsewhere there’s a look at the making of the story’s creature and some extended and cut scenes that didn’t make the final cut.
As ever, both stories feature PDF Radio Times clippings along with photo galleries and production notes, which by no means deserve to be mentioned last but which are hard to do justice to in a review – just make sure you read them and your enjoyment of any Doctor Who adventure will be enhanced.
The Gunfighters ★★★★★
The Awakening ★★★★★