Posts Tagged ‘Doctor Who

13
Feb
12

Tom Baker returns as The Doctor

A friend pointed me in the direction of this Doctor Who-themed clip over the weekend, a series of short ads for New Zealand superannuation services featuring Tom Baker in full-on Fourth Doctor mode.

The ads were made in 1997, long before the return of the show to BBC One in 2005, and I wonder how much they had to pay for the rights to use the character and the music.

Tom’s on fantastic form and it’s evidence, if it was needed, that he’s still got what it takes to play the role. Here’s hoping the BBC decide to bring him back for next year’s 50th anniversary celebrations…

25
Sep
11

DVD Review: Doctor Who – Day of the Daleks

Although the idea of kicking off Doctor Who’s ninth season with the ratings-grabbing return of the Daleks must have seemed like a good idea in 1971, the fact that the metal foes barely appear in Day of the Daleks thankfully doesn’t stop the story, now out on DVD, from being one of the Third Doctor’s most memorable outings.

Called in to investigate sightings of ghosts at the home of diplomat, Sir Reginald Styles (Wilfrid Carter), just ahead of a world peace conference, the Doctor (Jon Pertwee) and Jo (Katy Manning) become involved in a plot to change the course of history thanks to guerillas from another time.

As if that wasn’t enough to cope with, the Daleks turn out to be part of the 22nd century plot, with the Doctor forced to move back and forth between modern-day Earth and the future as the safety of the universe hangs in the balance.

Running to just four episodes, writer Louis Marks manages to set up the story and involve viewers in the action with little delay, ensuring that time travelling soldiers of fortune, Ogron bodyguards and a dystopian future are introduced without anybody really missing the Daleks, who finally pop up at the close of episode one.

Jon Pertwee glides through the story with ease, clearly relishing the opportunity to be a man of action, while the regular UNIT cast don’t hamper things too much. Aubrey Woods’ Controller is a decent match for the Doctor, though the assorted guerillas don’t make too much of an impact.

Let down by the Daleks themselves, who neither sound as scary as they should or mark themselves out as being worthy of ruling the universe, the adventure does benefit from frequent pauses to contemplate the merits (or lack-of) of time travel and the consequences it can bring. The episodes also look good, in both time periods, the odd duff effect forgivable when everything else works so well.

Continue reading ‘DVD Review: Doctor Who – Day of the Daleks’

28
Aug
11

DVD Review: Doctor Who – The Sun Makers

Tom Baker’s Fourth Doctor finds himself in a rather taxing situation in The Sun Makers, landing on Pluto in the far future with Leela (Louise Jameson) in tow as he discovers the planet’s populace is being kept in its place by The Collector (Henry Woolf).

The Sun MakersAssisting the rebels fighting to overthrow their oppressors, the Doctor discovers the true nature of The Collector’s origins and that sometimes money is the root of all evil.

Written by Robert Holmes, perhaps Doctor Who’s most celebrated scriptwriter and also its script editor at the time of The Sun Makers, the story is packed with the type of humour rarely seen in the series.

With overt references to the British tax system, this was never going to be your typical Saturday tea time romp, but social commentary doesn’t overwhelm the science fiction at the script’s core.

Baker and Jameson are both on fine form and it’s a joy to see them take on Woolf and Richard Leech as Gatherer Hade, even if things do get slightly heightened as the story goes on. The guest cast are uniformly excellent, particularly Michael Keating and William Simons as Goudry and Mandrel respectively.

Clever, challenging and always entertaining, The Sun Makers is a welcome DVD release which shows once again just how diverse the series has been over the years.

Extras on this single disc edition include an informative commentary from Baker, Jameson, Keating and director, Pennant Robert, and a new documentary, Running from the Tax Man, which looks back at the story’s development and production.

Yet more fact-filled production notes can be switched on to aid enjoyment while the usual PDF documents and a photo gallery are available.

Story ★★★★
Extras ★★★★★

25
Jul
11

DVD Review: Doctor Who – Paradise Towers

They say that the memory cheats. They’re wrong. I still remember being banished to my bedroom to watch Doctor Who back in October 1987, at the same time as Coronation Street was being enjoyed in the living room downstairs. The same thing happened every week, and every week I expected a classic episode.

Then along came Paradise Towers.

Even as an 11-year-old I knew something wasn’t quite right about this one. The way the actors just spoke their lines rather than investing them with any feeling. The way Bonnie Langford seemed to think she was on the stage,  shouting every line to the gods. The way the music seemed to actively be fighting against any attempts at drama that might escape from the script and onto the screen.

Paradise Towers

Watching this new DVD release 24 years on it’s fair to say that nothing much has changed, with 2entertain sadly avoiding any sort of special edition treatment that might excise most of the actors and replace them with CGI replicas.

The plot, for those of you who haven’t moved on to the Wikipedia entry by now, sees the Tardis land on the Paradise Towers of the title, a rundown tower block where a war is being waged by different factions as a group of caretakers attempt to keep things under control.

The Seventh Doctor (Sylvester McCoy) manages to become embroiled in the various goings-on, while the death toll rises around him.

What is perhaps more apparent on this viewing is that Stephen Wyatt’s script does have darker undertones that, had they been given free reign, would have seen Who’s position as prime time family entertainment being questioned by TV watchdogs in the 80s. Cannibalism by two old ladies? Allusions to Adolph Hitler by Richard Briers? Bonnie’s costume?

Director Nicholas Mallett could have been trying to tone down the darker aspects for the pre-watershed crowd, but if so it was hardly worth putting the script into production in the first place, meaning we’re left with something that doesn’t really cater for anyone.

McCoy tries gamely with what he’s given but there’s little of substance for him to latch onto, his Doctor, only in his second story, still something of a blank canvas with a Scottish accent. Richard Briers is clearly in another of his sitcoms and it’s only Clive Merrison who comes out of this with anything vaguely resembling dignity, managing to balance humour and menace (what little there is) equally.

Extras

For the extras we’re given a commentary featuring actress Judy Cornwell, writer Stephen Wyatt, special sounds supervisor Dick Mills and moderater Mark Ayres, which touches on various aspects of the production without giving it quite the kicking one might expect.

Horror on the High Rise, a new documentary featuring contributions from script editor Andrew Cartmel, writer Stephen Wyatt and actors including Richard Briers and Howard Cooke, does contain some honest opinion from those involved, and it’s the highlight of the disc. Wyatt remains unimpressed with the BBC’s take on his script, though he did undertake the writing process with the best of intentions.

Another short documentary, Girls! Girls! Girls! – The Eighties, brings together Janet Fielding, Sarah Sutton and Sophie Aldred to discuss their time aboard the Tardis and it’s nice to see the various companions reminiscing, even if Fielding’s comments are tend not to deviate from her standard views on the era.

A fun production notes track helps keep up the viewers’ spirits during the long haul of the episodes, while an alternative score for the story lets us hear what it would have been like had composer David Snell not been replaced by Keff McCulloch. Deleted scenes, photos and PDFs are also present and correct.

Story ★★★★★
Extras ★★★★★

03
Jul
11

DVD Review: Doctor Who – Earth Story

Rather uncomfortably bundling together a First and a Fifth Doctor story together in a collection known as “Earth Story”, the thematic link with the latest Doctor Who release is, well, that they’re both set on Earth. Simple, really.

Combining one story not known for its popularity in Doctor Who fandom – the overt humour in William Hartnell’s The Gunfighters often branding it unwatchable – with another praised for its ability to condense a complex tale into just two episodes in the shape of Peter Davison’s The Awakening, the set makes for an odd combination.

In The Gunfighters, the Tardis brings her crew to the famed town of Tombstone when the Doctor finds himself suffering from toothache. Deciding that America in the 1880s is the best place for medical attention, the Timelord seeks out Doc Holliday (Anthony Jacobs), a man who is currently somewhat at odds with the Clanton brothers, leading to much confusion regarding the Doctor’s identity and a gunfight that really isn’t OK.

In The Awakening, modern day (1984) England is the location for some village war games, recreations of a Civil War battle. As the Tardis materialises, it becomes clear that an alien war machine known as The Malus has started to meddle with the timelines, merging the 1980s with the 1640s and leaving the Doctor, Tegan (Janet Fielding) and Turlough (Mark Strickson) to try to put things right.

With its dodgy American accents and a script which attempts to play too much for laughs, The Gunfighters isn’t an easy watch. The overuse of the Ballad of the Last Chance Saloon, a not-so-witty little ditty sung at various points of the four episodes is wearisome to say the least, while the change in character of the Doctor, Steven (Peter Purves) and Dodo (Jackie Lane) to facilitate them misunderstanding the gravity of their predicament is insulting to the audience.

Taken as a piece of throwaway 1960s TV this is just about passable, with Hartnell on good form and the set design and direction impressive, but as a piece of drama it’s pretty average.

Eric Pringle’s The Awakening is a much better example of Who at its best, the series regulars supported by a high quality guest cast, including ex-Liver Bird, Polly James, and ex-Stig of the Dump, Keith Jayne. Both actors are believable and level out some of the more outrageous performances.

With yet another member of Tegan’s family making an appearance and no sign of the padding which inevitably creeps into multiple part adventures, The Awakening is a lean slice of 80s Who which more than makes up for any weakness evident in The Gunfighters.

Extras

With the Doctor Who range’s commentary moderator of choice, Toby Hadoke, in charge of proceedings for both stories, things go smoothly as cast and crew come together to recall their time on the series.

Peter Purves continues his love-in with Who alongside actors David Graham, Shane Rimmer and Richard Beale plus production assistant Tristan DeVere on The Gunfighters, while director Michale Owen Morris and script editor Eric Saward are the slimmed down pairing for The Awakening.

Both tracks are entertaining and informative throughout, an honesty about mistakes made and an admiration for what was managed all those years ago evident from all participants.

The standout documentary in the set is The End of the Line, a frank look at the production of the programme’s third year. Contributions from those who were there are backed up by excerpts from memos and letters written at the time, while today’s fans also help put past events into some context.

It’s an impressive production which, like all the best documentaries, deserves a wider audience than just Doctor Who fans, and one can only hope that at some point in the future 2entertain consider releasing a documentary-only set charting the Classic era’s development.

One of the odder additions to The Gunfighter’s set is the latest installment of Tomorrow’s Times, which sees a badly miscast Mary Tamm looking at how the series was covered in the press in the 1960s. Tamm’s reaction to one piece of Dalek news is quite the strangest thing you’ll see on a Who DVD this, or any other, year.

The Awakening benefits from a return visit to the fictional village of Little Hodcombe by the cast and crew, with contributions from local residents, and it’s a charming insight into the story’s production and legacy. Elsewhere there’s a look at the making of the story’s creature and some extended and cut scenes that didn’t make the final cut.

As ever, both stories feature PDF Radio Times clippings along with photo galleries and production notes, which by no means deserve to be mentioned last but which are hard to do justice to in a review – just make sure you read them and your enjoyment of any Doctor Who adventure will be enhanced.

The Gunfighters ★★★★★
The Awakening ★★★★
Extras ★★★★★

05
Jun
11

DVD Review: Doctor Who – Frontios

If there’s one thing that Doctor Who loves, it’s Earth colonists (or descendents of Earth colonists) having a hard time of it somewhere in deepest, darkest space. 1984’s Frontios takes this premise and runs with it, the Fifth Doctor (Peter Davison) arriving in the midst of a particularly nasty meteorite bombardment, the results of which requires the time traveller’s help.

FrontiosAs the Doctor, Tegan (Janet Fielding) and Turlough (Mark Strickson) try to assist the planet’s inhabitants, the Time Lord getting confused for an enemy spy by leader Plantagenet (Jeff Rawle) in the process, the viewer becomes embroiled in the politics and confusion of a populace who are tired of being attacked by an unseen enemy.

When that enemy is discovered to be closer to home than anyone expected, the story is flipped on its head to become something much more complicated than a base, or rather planet, under siege tale.

Christopher H Bidmead’s return to Who is a welcome one, his script removing much of the romp-factor from the programme and swapping it with intelligent dialogue and what feels like a genuine challenge for the Doctor and his crew.

Indeed, Turlough gets a decent share of screen time here, the reawakening of dormant memories handled well by Strickson, even if his reaction to the Tractators could be seen to be a tad OTT. Tegan is also given something to do here, Fielding reacting well to Davison whether he’s in breathless or comic mode.

Of the guest cast, while Rawle is strong as the out-of-his-depth Plantagenet, it’s William Lucas as Range and Lesley Dunlop as his daughter, Norna, who are the most interesting additions. The pair have a chemistry that makes their relationship believable, something that’s important when you’ve got power-hungry aliens vying for attention.

Though Frontios’ budget was tiny (as alluded to by Rawle in documentary, Driven to Distractation), designer David Buckingham managed to make the interiors look suitable lived in, although the occasional exterior shot, in reality a BBC studio, does let things down.

Still, a Doctor Who fan can forgive iffy FX and dodgy monster costumes when the story is as good as this, and in Frontios we have something of an overlooked gem that reminds us just why Davison was so special and his era ripe for rediscovery.

Extras

Without his usual partners in crime, (Fielding, Sutton and Strickson I’m looking at you!), the Frontios commentary may not be quite as buoyant, but it’s still worth booting up to hear Rawle and script editor Eric Saward have their say.

The documentary is another honest look at the production of a Doctor Who adventure, something that can only come almost 30 years after the fact. It’ll be interesting to see what sort of insights we get for the Davies/Moffat-era stories when they’re reissued in special hologram editions in a few years time…

Add to this an informative set of production notes, an isolated music score, deleted footage, Radio Times cuttings and a few other nice-to-have’s, and Frontios becomes yet another important addition to the Doctor Who range.

Story ★★★★
Extras ★★★★

05
Jun
11

Fan made Doctor Who anime is complete

I’ve been keeping an eye on this fan production for the last few years, a labour love by Paul “Oatking” Jackson which takes audio clips from Jon Pertwee-era Doctor Who and places them in a very different setting.

Now it’s finised and it’s a thing of beauty: it might just keep us occupied until the recently-announced Reign of Terror DVD arrives in 2012.




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