Great news for fans of Maverick, the 1950s TV series starring James Garner and Jack Kelly as Bret and Bart Maverick: it’s finally back on UK television, every day at 12.30 on TCM UK.
I say “fans” of Maverick but in reality I mean “those perhaps aware of the 1994 movie but who are unlikely to ever have seen an episode of the TV show as it hasn’t been shown here in decades,” but that’s a bit clunky.
I only noticed the repeat run after a bit of scrolling through the cable channels and a run through the TCM line-up, even though it’s not one I subscribe to. A quick email to TCM confirms that they have the rights to at least the first season, which debuted on US TV on 22 September, 1957. Although the website doesn’t make it clear where they’re up to, they will at some point be repeating the season again, going back to the first episode, The War of the Silver Kings.
I’ve been slowly making my way through the series on DVD (sadly, it’s not officially available anywhere, these are off-air copies) and this initial run is hugely enjoyable stuff, with Garner finding his feet straight away as the charming gambler travelling the old West and finding trouble in every town.
The series, created by Roy Huggins, who also gave us The Fugitive, was the first TV Western to add humour to its scripts, making it stand out from the glut of serious cowboy shows on American television.
Rather than start a fight, Maverick will try to talk his way out of a bad situation, looking after himself as much as possible. Sure, he’s a coward, but he’s a living coward, which beats being a dead one.
After a few episodes we’re also introduced to Bret’s brother, Bart, who’s up to the same game, only a few hundred miles down the road. Once in a while the Maverick’s team up to take on a particularly tricky foe, episodes such as The Wrecker and Trail West to Fury allowing Garner and Kelly to bounce off each other with the programmes trademark humour.
The latter episode also features a guest appearance by Dandy Jim Buckley (Efrem Zimbalist Jnr), one of many fellow con men encountered by the pair during their adventures.
The first few episodes are notable for the fact they were directed by Budd Boetticher, the famed B-movie Western director who reused many of the guest cast in his Randolph Scott collaborations, something I noticed while watching the Budd Boetticher Collection earlier in the year. The series isn’t just a series of one-liners, with a hefty dose of drama in amongst the humour and more than a few dead bodies.
The show would also go on to inspire the creation of The Rockford Files in the 1970s and Garner played the character of Maverick in a sequel series, Bret Maverick, as well as making an appearance in Richard Donner’s 1994 big screen version, with Mel Gibson making a decent addition to the Maverick clan.
In April 2011 I toured the Warner Bros set in Los Angeles, home to Maverick in the 1950s, and made a point of looking out for any signs of the show. If you enlarge the photo on the right you’ll find a mention, along with some of the distinguished films and series which were crafted on Stage 25.
Garner’s hat from the series is also on display in another part of the complex, but photos were banned
That’s a long way of saying that if you have TCM I’d recommend tuning in one of these days. Unlike today’s TV series there’s no arc or ongoing plot that you won’t understand if you miss an episode, just good, old-fashioned, entertainment that hasn’t dated too badly.
I’d link to more information on the TCM UK website but there doesn’t seem to be any, apart from a mention each day in the listings, and even those miss out the episode title. I also see that Gunsmoke is being shown after Maverick, another hugely popular 1950s series that Maverick spoofed in its Gun-Shy episode from 1959.
I’m hoping that Warner Bros will release the full five season run on DVD sometime soon as the episodes, all shot on film, still look fantastic. The team over at the excellent Warner Archive, home to many forgotten films and series, might be our best bet, so fingers crossed somebody tries to sort out the rights issues that are presumably holding things back.